THE BODY, AS SCULPTURE, AS A CROW
A selection of sculptural works and photographic pieces exhibited as part of The Body, As Sculpture, As A Crow, a group exhibition curated by Madaline Riley at LAST Projects.
Presented at LAST Projects in Los Angeles, The Body, As Sculpture, As A Crow brought together artists examining the body as a site of transformation, memory, and material intervention. Lloyd Galbraith exhibited a series of sculptural works alongside photographic and mixed-media pieces that extend his ongoing investigation into ritualized adornment, decay, and metamorphosis.
Constructed from minerals, inherited objects, textiles, and industrial materials, the sculptures function as contemporary relics—objects positioned between fashion, artifact, and ceremonial offering. Across the installation, themes of molting, sanctification, erosion, and renewal emerge through repeated visual motifs of crowns, vessels, thorns, stone, and bodily absence.
The exhibition marked an expansion of Galbraith's practice beyond image-making into object-based work, situating sculpture, photography, and installation as interconnected forms within a larger system of symbolic transformation.
Featured Works
Empty Vessel (2026)
Canticle of Thorns (2026)
Drowned Saint (2026)
Crown of Rot (2026)
Molting Saint (2026)
Red Chrysanthemum (2026)
Rust Cross Womb (2026)
